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Author by : John Izod
Languange Used : en
Release Date : 1988-07-20
Publisher by : Springer
ISBN : 9781349193240
Changing business circumstances have put pressure on film studios and changed the nature of films they produce. This book examines the reaction of the corporations who have found themselves in danger or have perceived new ways of adding to their profitability, influencing the films they produce....
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Author by : Susan Sackett
Languange Used : en
Release Date : 1990
Publisher by :
ISBN : UVA:X004068213
An entertaining collection of photographs and trivia on filmland's biggest box office successes from 1939 through 1988, covering the five most successful movies of each year. Annotation copyrighted by Book News, Inc., Portland, OR...
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Author by : Dade Hayes
Languange Used : en
Release Date : 2004-09-22
Publisher by : Miramax
ISBN : UOM:39015060129973
How is a blockbuster made? All it takes is three days: Friday, Saturday and Sunday. Opening weekend at the height of the summer blockbuster season is a gruelling ordeal for studio execs and marketers. In Open Wide, Hayes and Bing take the reader behind the scenes during the first 72 hours of a film's release. They also explore the main phases in the life of a film and also offer a personal look at all the filmmakers, actors, producers and executives that help bring these films to the cinema. This really is the first book to examine, in depth, the importance of the opening weekend....
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Author by : John Izod
Languange Used : en
Release Date : 1988
Publisher by :
ISBN : 0231067259
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Author by : Justin Wyatt
Languange Used : en
Release Date : 2010-07-22
Publisher by : University of Texas Press
ISBN : 9780292786592
Steven Spielberg once said, "I like ideas, especially movie ideas, that you can hold in your hand. If a person can tell me the idea in twenty-five words or less, it's going to make a pretty good movie." Spielberg's comment embodies the essence of the high concept film, which can be condensed into one simple sentence that inspires marketing campaigns, lures audiences, and separates success from failure at the box office. This pioneering study explores the development and dominance of the high concept movie within commercial Hollywood filmmaking since the late 1970s. Justin Wyatt describes how box office success, always important in Hollywood, became paramount in the era in which major film studios passed into the hands of media conglomerates concerned more with the economics of filmmaking than aesthetics. In particular, he shows how high concept films became fully integrated with their marketing, so that a single phrase ("Just when you thought it was safe to go back in the water...") could sell the movie to studio executives and provide copy for massive advertising campaigns; a single image or a theme song could instantly remind potential audience members of the movie, and tie-in merchandise could generate millions of dollars in additional income....
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Author by : Sheldon Hall
Languange Used : en
Release Date : 2010
Publisher by : Wayne State University Press
ISBN : 0814330088
Considers the history of the American blockbuster-the large-scale, high-cost film-as it evolved from the 1890s to today....
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Author by : Janet Wasko
Languange Used : en
Release Date : 2003-12-18
Publisher by : SAGE
ISBN : 0761968148
This volume details the processes involved in turning raw materials and labour into feature films. Janet Wasko surveys and critiques the policies and structure of the current United States film industry, as well as its relationships to other media industries....
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Author by : Geoff King
Languange Used : en
Release Date : 2002
Publisher by : Columbia University Press
ISBN : 0231127596
Addresses the stylistic, industrial, and socio-historical contexts of the New Hollywood cinema, identifying its distinctive characteristics and its points of similarity with the Hollywood of the past. Topics include the industrial context to the blockbuster format of contemporary Hollywood; the frameworks of authorship, genre, and stardom through which New Hollywood films have been produced and consumed; and the growing importance of small screen media to the overall economy of Hollywood. Annotation copyrighted by Book News, Inc., Portland, OR....
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Author by : Mark Harris
Languange Used : en
Release Date : 2008-02-14
Publisher by : Penguin
ISBN : 9781101202852
The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself....
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Author by : Kerry Segrave
Languange Used : en
Release Date : 1999
Publisher by :
ISBN : UOM:39015047436061
The relationship of Hollywood and television, initially turbulent, has ultimately been profitable from the first sally in what was expected to be a war of attrition, up through the soliciting of movies by major networks, independent stations, basic cable networks, premium cable channels, pay-per-view systems and even the corner video store. When their initial efforts to acquire ownership interests in television outlets were thwarted, Hollywood's major movie studios determined to withhold from the tube not only their films but also their actors, no doubt in hopes of making the rival medium appear a weak substitute for cinema. With ticket sales shrinking and television set purchases booming, the studios, erasing their last contemptuously drawn line in the sand, grudgingly released their films to television--and made a fortune....