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Hollywood Highbrow

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Author by : Shyon Baumann
Languange Used : en
Release Date : 2018-06-05
Publisher by : Princeton University Press

ISBN : 9780691187280

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art....

From The Arthouse To The Grindhouse

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Author by : John Cline
Languange Used : en
Release Date : 2010-07-17
Publisher by : Scarecrow Press

ISBN : 9780810876552

This collection of essays represents key contributions to 'transgression cinema:' overlooked, forgotten, or under-analyzed movies that walk the fine line between 'arthouse' and 'grindhouse' film....

Highbrow Lowbrow Brilliant Despicable

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Author by : The Editors of New York Magazine
Languange Used : en
Release Date : 2017-11-07
Publisher by : Simon and Schuster

ISBN : 9781501166846

New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks. It was reinvigorated and became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Since its founding in 1968, New York Magazine has told the story of that city's constant morphing, week after week. This book draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. It constitutes an unparalleled history of that city's transformation, and of a New York City institution as well....

Middlebrow Cinema

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Author by : Sally Faulkner
Languange Used : en
Release Date : 2016-03-31
Publisher by : Routledge

ISBN : 9781317247418

Middlebrow Cinema challenges an often uninterrogated hostility to middlebrow culture that frequently dismisses it as conservative, which it often is not, and feminized or middle-class, which it often is. The volume defines the term relationally against shifting concepts of ‘high’ and ‘low’, and considers its deployment in connection with text, audience and institution. In exploring the concept of the middlebrow, this book recovers films that were widely meaningful to contemporary audiences, yet sometimes overlooked by critics interested in popular and arthouse extremes. It also addresses the question of socially-mobile audiences, who might express their aspirations through film-watching; and traces the cultural consequences of the movement of films across borders and between institutions. The first study of its kind, the volume comprises 11 original essays that test the purchase of the term ‘middlebrow’ across cultures, including those of Europe, Asia and the Americas, from the 1930s to the present day. Middlebrow Cinema brings into view a popular and aspirational - and thus especially relevant and dynamic - area of film and film culture. Ideal for students and researchers in this area, this book: Remaps ‘Popular’ and ‘arthouse’ approaches Explores British, Chinese, French, Indian, Mexican, Spanish ‘national’ cinemas alongside Continental, Hollywood, Queer, Transnational cinemas Analyses Biopic, Heritage, Historical Film, Melodrama, Musical, Sex Comedy genres....

Hollywood S African American Films

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Author by : Ryan Jay Friedman
Languange Used : en
Release Date : 2011-07-27
Publisher by : Rutgers University Press

ISBN : 9780813550800

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor....

Masscult And Midcult

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Author by : Dwight Macdonald
Languange Used : en
Release Date : 2011-10-11
Publisher by : New York Review of Books

ISBN : 9781590174685

A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever....

Theorizing Art Cinemas

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Author by : David Andrews
Languange Used : en
Release Date : 2013-11-01
Publisher by : University of Texas Press

ISBN : 9780292747760

The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement. David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie....

The Golden West

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Author by : Daniel Fuchs
Languange Used : en
Release Date : 2005
Publisher by : David R. Godine Publisher

ISBN : 1574232053

In the spring of 1937, Daniel Fuchs, twenty-seven years old and the author of three acclaimed novels of Brooklyn tenement life, came to Hollywood to bang out a treatment of one of his short stories. His thirteen-week contract turned into a permanent residence-and a lifelong love affair. "Writing for the movies was fine," he would later recall, "the freedom and fun, the hard work," but even finer were the movies themselves-team-built, mass-market miracles, "brisk and full of urgent meaning." Finest of all were the people-hustling producers, inscrutable directors, cracker-jack screenwriters, and charismatic stars-their virtues and flaws and egos and disappointments all visible in high relief "because the sunlight over everything was so clear and brilliant." Fuchs worked with the best: Warners and Metro and RKO, Wilder and Huston and Joe Pasternak, William Faulkner and Irwin Shaw, Raft and Cagney and Doris Day. He spent his days crafting screenplays, but off the lot he continued to write prose, mainly stories for The New Yorker and Collier's and "Letters from Hollywood" for Commentary. The Golden West collects, for the first time, the best of Fuchs's writings about the movie business, from a novice screenwriter's anxious diaries (1937-38) to a fifty-year veteran's mellow memoirs (1989). The centerpiece of the book is "West of the Rockies," a haunting short novel, set in the late 1950s, about a half-mad woman, immature and incapable, who is, almost despite herself, a star, "a quantity indefinable, ephemeral, everlastingly elusive-Hollywood's chief stock in trade." It is also a bitter portrait of the star's agent, a grifter who is tempted to use her and her weaknesses to his own ends. Fuchs loved Hollywood, but his affection didn't blind him to the town's Babylon aspect: he never blinked when depicting the conniving and the treachery, the dysfunction and the waste. He saw life as it is, gold and tinsel both, and described it without falling into easy sentiment or condescending laughter. He is the Bellow of the Brown Derby, the Chekhov of the back lot. Book jacket....

Quality Hollywood

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Author by : Geoff King
Languange Used : en
Release Date : 2015-11-30
Publisher by : Bloomsbury Publishing

ISBN : 9780857728166

What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige....

Hollywood S Artists

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Author by : Virginia Wright Wexman
Languange Used : en
Release Date : 2020-07-21
Publisher by : Columbia University Press

ISBN : 9780231551434

Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large....