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A Corpus Of Rembrandt Paintings Iv

A Corpus Of Rembrandt Paintings Iv

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Author by : Ernst van de Wetering
Languange Used : en
Release Date : 2010-07-19
Publisher by : Springer Science & Business Media

ISBN : 9781402044410

Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come....



Rembrandt Self Portraits

Rembrandt Self Portraits

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Author by : Christopher Wright
Languange Used : en
Release Date : 1982
Publisher by : Penguin Putnam

ISBN : UOM:39015015833497

A collection of Rembrandt's self-portraits throughout his life....



Rembrandt S Self Portraits

Rembrandt S Self Portraits

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Author by : H. Perry Chapman
Languange Used : en
Release Date : 1992-10-01
Publisher by :

ISBN : 0691002967

H. Perry Chapman has produced the first comprehensive treatment of the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life. Prevailing scholarship has tried to discredit the idea that the self-portraits stemmed from any particular inner need, but Chapman counters by presenting fascinating evidence that they represent a conscious and progressive quest for individual identity in a truly modern sense. "H. Perry Chapman, in my view, gives us the Rembrandt we need in the 1990s. . . . [Her] sensitivity to questions of style and expression, combined with original research, leads to a conclusion . . . that `Rembrandt's lifelong preoccupation with self-portraiture can be seen as a necessary process of identity formation or self-definition'--in short, autobiography."--Walter Liedtke, The Journal of Art "Chapman is a graceful writer. Her arguments are balanced, well documented, and vigorously pursued. . . . The publication of this book is cause for gratitude and joy."--Thomas D'Evelyn, Christian Science Monitor...



How Rembrandt Reveals Your Beautiful Imperfect Self

How Rembrandt Reveals Your Beautiful Imperfect Self

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Author by : Roger Housden
Languange Used : en
Release Date : 2005
Publisher by : Harmony

ISBN : 9781400082292

Using the artist's self-portraits as a starting point, the author explains how Rembrandt exemplifies the ability to confront life with passion, honesty, and an uncompromising acceptance of who we are....



A Corpus Of Rembrandt Paintings Iv

A Corpus Of Rembrandt Paintings Iv

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Author by : Ernst van de Wetering
Languange Used : en
Release Date : 2005-10-18
Publisher by : Springer Science & Business Media

ISBN : 9781402032806

Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come....



Rembrandt S Self Portrait Authenticity And Attribution

Rembrandt S Self Portrait Authenticity And Attribution

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Author by :
Languange Used : en
Release Date : 2019-11-20
Publisher by : GRIN Verlag

ISBN : 9783346067821

Seminar paper from the year 2015 in the subject Art - History of Art, grade: 2,0, , language: English, abstract: This essay aims to examine the "Self-portrait as a Young Man" in the Walker Art Gallery, Liverpool, from around 1630 to Rembrandt Harmensz van Rijn (1606-1669). The paper tries to illuminate and contribute to the debate on its authenticity and attribution. Preliminary, the object’s condition and material are examined to ensure a comprehensive visual analysis. Next, the portrait’s visual and stylistic characteristics are explored while considering possible changes due to damage, restoration, and alteration. The following section investigates the portrait from an art historical point of view and in the light of the research on the object, on Rembrandt, and on seventeenth century workshop practise. The essay concludes with an attribution of the object to Rembrandt’s workshop and reflects the author’s opinion based on the detailed visual examination and the comprehensive study of the research regarding the portrait in question. The painting was examined by the Rembrandt Research Project as well as by other scholars throughout the last decades. However, the opinions regarding the painting’s authenticity are divided. While its current owner, the Walker Art Gallery, Liverpool, accepts it as autograph Rembrandt others like Ernst van de Wetering as part of the Rembrandt Research Project reject its authenticity and attribute the portrait to his workshop. On behalf of the Museum of Greenland this study analyses the different viewpoints, illuminates the issues of the object’s authenticity and formulates an argument for its attribution....



Rembrandt The Complete Self Portraits

Rembrandt The Complete Self Portraits

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Author by : Marieke de Winkel
Languange Used : en
Release Date : 2024-05-03
Publisher by : Taschen

ISBN : 3836596679

No other 17th-century artist played the self-portrait game as extravagantly as the Dutchman Rembrandt. Spanning from his youth until just a year prior to his death, this collection gathers the entirety of Rembrandt's self-portraiture. The works are an intimate glimpse into the artist's self-reflection and nothing short of a triumph of art history....



Rembrandt

Rembrandt

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Author by : Volker Manuth
Languange Used : en
Release Date : 2019
Publisher by :

ISBN : 3836577003

Commemorating the 350th anniversary of the artist's death, this comprehensive monograph renders all of Rembrandt's self-portraits in breathtaking XL resolution, from his first experimentations at age twenty-two to his final self-portrait painted a year before his death...



Visions Of The Self Rembrandt And Now

Visions Of The Self Rembrandt And Now

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Author by :
Languange Used : en
Release Date : 2020-09-15
Publisher by : Rizzoli Publications

ISBN : 9780847869077

A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting....



Rembrandt Face To Face

Rembrandt Face To Face

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Author by : Stephanie Dickey
Languange Used : en
Release Date : 2006
Publisher by : University of Washington Press

ISBN : UOM:39015066823934

This book is a close examination of one of the earliest of the more than seventy self-portraits in painting, drawing, and print that Rembrandt produced. Painted around 1629, it depicts a young artist in his twenties, in gorget and cap. The phrase "Rembrandt self-portrait" instantly conjures up an image of a world-weary, ruddy-cheeked man, donning a floppy hat and gazing at us benignly while alert to the source of his next guilder. By stark contrast, the Clowes Rembrandt portrays a soft-whiskered youth with a surprised expression, open mouth, and dashing military garb. The spontaneity of this image sets it apart from much else in Rembrandt's oeuvre. Stephanie S. Dickey's penetrating study of the Clowes Rembrandt is a model of acute observation and rigorous research. By retracing the place of this work in Rembrandt's canon, Dutch society in the early 17th century, the genre of self-portraiture, and pertinent iconographical traditions, she allow us to approach a work familiar to many with fresh eyes....